Image Credit: Adan Pol VazquezIsaac Vazquez Avila
”Sun Stoned”
Gouache, flash paint on artist made wood panel
72 x 48 inches
2023Isaac Vazquez Avila
”Turbo bit flor bug”
Gouache and acrylic on wood panel
10 x 8 inches
2023Force of Healthy Growth
Liz Hernández
Lena Gustafson Returns
Joonbug (Lenworth Macintosh)
Mark Sabb #2
Stephanie Garcés & Stephanie Smith of on-off.site
Stephanie Smith
Stephanie Garcés
Luca Antonucci #3
Christo Oropeza #2
Artist dropping off artwork at the 9th year anniversary. (From left to right : Alán Miknis, Gina Contreras, and Gallery director at anälog gallery, Don Ross)
Cléa Massiani #2
Jamil Hellu
Jamil Hellu
"100 Years of Solitude," 2014
In response to the anti-LGBTQ law passed in Russia in 2013, and Moscow’s ruling to block permissions to organize pride parades for the next 100 years.
"Rider," 2016
"By wearing my grandmother’s rebozo on my head, I celebrate not only my ancestral maternal tradition but my own feminine expression of the mother goddess within," affirms Lorenzo Lambertino, a Mexican of Lebanese heritage.
Hues Project, 2018.
"Jamil Hellu: Together" at SF Camerawork, 2020.
(Image credit: Senny Mau)
"Jamil Hellu: Together" at SF Camerawork, 2020.
(Image credit: Senny Mau)
Joe Yorty
Joe Yorty
Best Practice co-founders: Joe Yorty & Allie Bundt
Muzae Sesay with "Our Courtyard by the Sea"
Acrylic and graphite on stretched canvas.
70" x 70"
2018
"The Garden We Grew Between Us"
Oil on pastel on canvases 70" x 70"
2018
"Our Temme House" Acrylic, oil, oil pastel, and graphite on stretched canvases, diptych
60" x 72"
2017
"Where I Grew Up"
Acrylic on canvas
62.5" x 50.5"
2018
"Forefall"
Acrylic, oil, and graphite on canvases
18" x 36" each
2018
"Boathouse"
Oil pastel and acrylic on canvas
61" x 37"
2018
Lena Gustafson
Lena Gustafson (Photo Credit: Manfredi Gioacchini)
Loud Body, 2017
Bodies of Water
New Growth
Alessandra Moctezuma
Mesa Faculty Exhibition Fall 2016 with Pat Vine
Moctezuma with students Young Nam, Farnaz Fourounaz and Kimberly Acosta
Art Fair Booth install, curated by Museum Studies class, student Dia Bassett
Mesa install of John Cage work, student and gallery intern Mara Nasland.
Claudia Cano performing as Rosa Hernández
Omar Pimienta's "Consulado Movil"
"Undocumenta" at the Oceanside Museum of Art
Paul Miller's "Diagrama de Dependencia"
Marcos Ramirez (ERRE)'s "Urban Landscapes"
Marcos Ramirez (ERRE)'s "Of Fence"
Steve Brisk from Meow Wolf
Meow Wolf
Steve Brisk
House of Eternal Return
House of Eternal Return
House of Eternal Return
House of Eternal Return
House of Eternal Return
House of Eternal Return
Rio Yañez
Rio Yañez
REMEMBRANCE AND RESISTANCE: DÍA DE LOS MUERTOS EXHIBITION
David Kasprzak
David Kasprzak
Marcela Pardo Ariza
Marcela Pardo Ariza, 2016
Slow Clap
Pigment print in poplar frame and “I've Got The Blues” paint
20 x 16 inches
Luscus
2017
Pigment print in poplar frame and “Sun God” paint
22 x 16 inches
Living Room
2014
Inkjet Print
I'm too sad to tell you (after Bas Jan Ader, in different times)
2017
Pigment print in poplar frame and “Sun God” paint
22 x 16 inches
Martin Strickland
Martin Strickland
Martin doing some registrarial work.
Martin at the YBCA
David Lasley
David Lasley
David Lasley in his studio
Sketch drawing
"Untitled"
28" x 38"
Oil on linen
2016
"Flex Proof"
16" x 20"
Oil on paper
2014
Nando Alvarez-Perez #2
Nando Alvarez-Perez
POST-INDUSTRIAL LIVING SITUATION II (THE FUTURE WAS AN OPEN SPACE) AT MATERIAL ART FAIR 2017
Nanopigment prints on silk charmeuse, polyethylene, ultrachrome prints, sintra, extruded aluminum frames
Variable dimensions
2017
POST-INDUSTRIAL CENOTAPH FOR AN IMMATERIAL BODY II V.2
Extruded aluminum, nano pigment prints on silk charmeuse, polyethylene
81 x 54 x 27”
2017
POST-INDUSTRIAL CENOTAPH FOR AN IMMATERIAL BODY II V.3
Extruded aluminum, nano pigment prints on silk charmeuse, polyethylene
81 x 54x 27”
2017
POST-INDUSTRIAL CENOTAPH FOR AN IMMATERIAL BODY II V.4
Extruded aluminum, nano pigment prints on silk charmeuse, polyethylene
81 x 54 x 27”
2017
POST-INDUSTRIAL CENOTAPH FOR AN IMMATERIAL BODY II V.1
Extruded aluminum, nano pigment prints on silk charmeuse, polyethylene
81 x 54 x 27”
2017
REMEMBRANCE BLOCK II
Extruded aluminum, ultrachrome prints, sintra
27 x 13 x 25”
2017
REMEMBRANCE BLOCK I
Extruded aluminum, ultrachrome prints, sintra
27 x 13 x 25”
2017
Noé Olivas #2
la/el/ellas/ellos/usted quinceañera/o, 2017 at the SDAI Project Space (Photo by Jill Grant)
"la/el/ellas/ellos/usted quinceañera/o," 2017
quinceañera dress: burlap and lace fabric.
15 burlap bag drawings: pencil and charcoal drawing.
installation: disco ball, 12' x 11' sod grass triangle. (Photo by Jill Grant)
"la/el/ellas/ellos/usted quinceañera/o," 2017
quinceañera dress: burlap and lace fabric.
15 burlap bag drawings: pencil and charcoal drawing. (Photo by Jill Grant)
"la/el/ellas/ellos/usted quinceañera/o," 2017
15 burlap bag drawings: pencil and charcoal drawing. (Photo by Jill Grant)
"la/el/ellas/ellos/usted quinceañera/o," 2017
quinceañera dress: burlap and lace fabric. (Photo by Jill Grant)
"la/el/ellas/ellos/usted quinceañera/o," 2017
quinceañera dress: burlap and lace fabric. (Photo by Jill Grant)
Amanda Nudelman
Amanda Nudelman
Amanda Nudelman and Janet Nudelman at Black Light opening, Wattis Institute (March 2017)
Barret Lybbert, Magdalena J. Härtelova, and Amanda Nudelman condition reporting for Rodney McMillian's red dust between (2017)
CCA Curatorial Practice Class of 2017: Megan Franz, Magdalena J. Härtelova, Qianjin Montoya, Amanda Nudelman, Barret Lybbert and advisor Julian Myers-Szupinska. Photo: Fa He.
Artist Indira Allegra performance, Black Light opening, Wattis Institute (March 2017). Photo: Fa He.
"A Brief History of Time: From the Big Bang to Black Holes" read by Gabriel Edwards
From the Na Young Woo Collaborations
Agne Christensen and her Room Art Gallery Team
Katherine Powers-Noland
Katherine Powers Noland
"Wayne Thiebaud / By Hand: Works on Paper from 1965-2015," University Galleries at USD
"Wayne Thiebaud / By Hand: Works on Paper from 1965-2015," University Galleries at USD
Katherine Powers Noland
Noé Olivas
Noe Olivas
"Low-rider wheelbarrow"
low-rider bike parts, father’s wheelbarrow
26'' x 30'' x 70.5''
"Low-rider bike dolly"
low-rider bike, dolly
30” x 4’ x 5’
Poetics of Labor, 2013
"Poetics of Labor," 2013
series of 2/3
Blue shop towels, rust, dirt, oil
12.5" x 13''
"Untitled, (10ft. mop)," 2015
custom mop
18" x 10'
Untitled Space
Horacio Ramos-Cerna
Horacio Ramos-Cerna
"Szyszlo. Retrospectiva," a 2011 exhibit at MALI (Museo de Arte de Lima), for which Ramos-Cerna did research for.
"Szyszlo. Retrospectiva," a retrospective of work by Fernando de Szyszlo, a Peruvian artist and key figure in advancing abstract art in Latin America
Current exhibition at MALI, for which Ramos-Cerna did research for. This exhibit displays the work of Emilio Rodriguez Larrain, an artist whose career made a key mark on visual arts scene in Peru in the 2nd half of the 20th century
Nando Alvarez-Perez
Nando Alvarez-Perez
"Totems for a Flattened Now" at CEPA Gallery, Buffalo, NY
Emily Reynolds
Emily Reynolds
Ivan Iannoli exhibition at Bass & Reiner Gallery
Ivan Iannoli exhibition at Bass & Reiner Gallery
Ivan Iannoli exhibition at Bass & Reiner Gallery
Ivan Iannoli exhibition at Bass & Reiner Gallery
Clea Massiani
Clea Massiani
"To Whom it May Concern" curated by Clea Massiani at Bass & Reiner
"To Whom it May Concern" curated by Clea Massiani at Bass & Reiner