Photo Gallery

Stephanie Smith

Stephanie Garcés

Artist dropping off artwork at the 9th year anniversary. (From left to right : Alán Miknis, Gina Contreras, and Gallery director at anälog gallery, Don Ross)

Jamil Hellu

"100 Years of Solitude," 2014 In response to the anti-LGBTQ law passed in Russia in 2013, and Moscow’s ruling to block permissions to organize pride parades for the next 100 years.

"Rider," 2016

"By wearing my grandmother’s rebozo on my head, I celebrate not only my ancestral maternal tradition but my own feminine expression of the mother goddess within," affirms Lorenzo Lambertino, a Mexican of Lebanese heritage. Hues Project, 2018.

"Jamil Hellu: Together" at SF Camerawork, 2020. (Image credit: Senny Mau)

"Jamil Hellu: Together" at SF Camerawork, 2020. (Image credit: Senny Mau)

Joe Yorty

Best Practice co-founders: Joe Yorty & Allie Bundt

Rio Yañez

Adrian Martinez

San Francisco Photography Club

Illetante at the SF Art Book Fair

Photo by Adrian Martinez

Photo by Adrian Martinez

Photo by Adrian Martinez

Photo by Adrian Martinez

Emily Reynolds & Nando Alvarez-Perez (Image credit: Jake Vogan)

Charmed: A Bonanza Retrospective (courtesy of BICA)

Charmed: A Bonanza Retrospective (courtesy of BICA)

Bonanza runway fashion show (courtesy of BICA)

Karen Vidángos

Digitalia: Art & The Economy of Ideas, Museum of African Diaspora, 2018

Re-Engineering Humanity, 836M Gallery 2019

Samira Idroos, "Sit Down. Be Humble" (2018)

Mark Sabb, "Pray for Me II" (2019)

Marjan Moghaddamn, "Glitch Goddess of Art Basel Miami 695, in Red" (2019)

Marcela Pardo Ariz & Kaitlin Trataris (image courtesy of Womxn Art Handlers)

BAN 8 at YBCA (Image credit: Charlie Villyard)

Marcela Pardo Ariza "Randy Andy, Dollface, Tania, Lu, Louis, et al." (1983~, 1975~, 1992~, 2018)

Tallest Part of the Arch at Southern Exposure (Image credit: Minoosh Zomorodinia)

Tallest Part of the Arch at Southern Exposure (Image credit: Minoosh Zomorodinia)

Omar Lopex on set. (Image credit: Adrienne Joy)

Omar Lopex filming (Image credit: Adrienne Joy)

Omar on the set of "The Glorious Hole", 2016 (Image cred. Matthew Herbert)

Still from "So, I was a Child", 2018

Still from "Ana, Who Was Pulled from the River"

Still from "Ana, Who Was Pulled from the River"

Omar Lopex (Image credit: Tayo Oyekan)

Christo Oropeza

At Incline Gallery: Josue Rojas, Christo, John Zarobell

Susie Kantor, BAN 8

Escuela de Arte Util. Image by Charlie Villyard.

Escuela de Arte Util. Image by Charlie Villyard.

Amanda Nudelman. Photo: Mik Gaspay.

Feminist School of Painting. Photo: Mik Gaspay.

The Feminist School of Painting, 2018. Installation view at KADIST, San Francsico. Courtesy of KADIST. Photo: Jeff Warrin.

The Feminist School of Painting, 2018. Installation view at KADIST, San Francsico. Courtesy of KADIST. Photo: Jeff Warrin.

The Feminist School of Painting, 2018. Installation view at KADIST, San Francsico. Courtesy of KADIST. Photo: Jeff Warrin

Mark Sabb

Brock Brake (image credit: Lenny Gilmore)

Domestic Dive at Pt.2, 3/11/18-4/6/18 (image credit: Brock Brake)

Interrupting Lines at Pt.2, 4/14/18-5/4/18 (image credit: Brock Brake)

The Horror Vacui at First Amendment (image credit: Brock Brake)

In Time at Pt.2, 5/12/18-6/1/18 (image credit: Brock Brake)

Bookshelf, 2017 wood, paint, cactus, epoxy clay, painted ceramic, wire

Pube Tube, 2017 Epoxy caly, wire, wood paint

Penis Fingers Epoxy clay, paint

Muzae Sesay with "Our Courtyard by the Sea" Acrylic and graphite on stretched canvas. 70" x 70" 2018

"The Garden We Grew Between Us" Oil on pastel on canvases 70" x 70" 2018

"Our Temme House" Acrylic, oil, oil pastel, and graphite on stretched canvases, diptych 60" x 72" 2017

"Where I Grew Up" Acrylic on canvas 62.5" x 50.5" 2018

"Forefall" Acrylic, oil, and graphite on canvases 18" x 36" each 2018

"Boathouse" Oil pastel and acrylic on canvas 61" x 37" 2018

Lena Gustafson (Photo Credit: Manfredi Gioacchini)

Loud Body, 2017

Bodies of Water

New Growth

Mesa Faculty Exhibition Fall 2016 with Pat Vine

Moctezuma with students Young Nam, Farnaz Fourounaz and Kimberly Acosta

Art Fair Booth install, curated by Museum Studies class, student Dia Bassett

Mesa install of John Cage work, student and gallery intern Mara Nasland.

Claudia Cano performing as Rosa Hernández

Omar Pimienta's "Consulado Movil"

"Undocumenta" at the Oceanside Museum of Art

Paul Miller's "Diagrama de Dependencia"

Marcos Ramirez (ERRE)'s "Urban Landscapes"

Marcos Ramirez (ERRE)'s "Of Fence"

Meow Wolf

Steve Brisk

House of Eternal Return

House of Eternal Return

House of Eternal Return

House of Eternal Return

House of Eternal Return

House of Eternal Return

Rio Yañez

REMEMBRANCE AND RESISTANCE: DÍA DE LOS MUERTOS EXHIBITION

David Kasprzak

Marcel Pardo Ariza, 2016

Slow Clap Pigment print in poplar frame and “I've Got The Blues” paint 20 x 16 inches

Luscus 2017 Pigment print in poplar frame and “Sun God” paint 22 x 16 inches

Living Room 2014 Inkjet Print

I'm too sad to tell you (after Bas Jan Ader, in different times) 2017 Pigment print in poplar frame and “Sun God” paint 22 x 16 inches

Martin Strickland

Martin doing some registrarial work.

Martin at the YBCA

David Lasley

David Lasley in his studio

Sketch drawing

"Untitled" 28" x 38" Oil on linen 2016

"Flex Proof" 16" x 20" Oil on paper 2014

Nando Alvarez-Perez

POST-INDUSTRIAL LIVING SITUATION II (THE FUTURE WAS AN OPEN SPACE) AT MATERIAL ART FAIR 2017 Nanopigment prints on silk charmeuse, polyethylene, ultrachrome prints, sintra, extruded aluminum frames Variable dimensions 2017

POST-INDUSTRIAL CENOTAPH FOR AN IMMATERIAL BODY II V.2 Extruded aluminum, nano pigment prints on silk charmeuse, polyethylene 81 x 54 x 27” 2017

POST-INDUSTRIAL CENOTAPH FOR AN IMMATERIAL BODY II V.3 Extruded aluminum, nano pigment prints on silk charmeuse, polyethylene 81 x 54x 27” 2017

POST-INDUSTRIAL CENOTAPH FOR AN IMMATERIAL BODY II V.4 Extruded aluminum, nano pigment prints on silk charmeuse, polyethylene 81 x 54 x 27” 2017

POST-INDUSTRIAL CENOTAPH FOR AN IMMATERIAL BODY II V.1 Extruded aluminum, nano pigment prints on silk charmeuse, polyethylene 81 x 54 x 27” 2017

REMEMBRANCE BLOCK II Extruded aluminum, ultrachrome prints, sintra 27 x 13 x 25” 2017

REMEMBRANCE BLOCK I Extruded aluminum, ultrachrome prints, sintra 27 x 13 x 25” 2017

la/el/ellas/ellos/usted quinceañera/o, 2017 at the SDAI Project Space (Photo by Jill Grant)

"la/el/ellas/ellos/usted quinceañera/o," 2017 quinceañera dress: burlap and lace fabric. 15 burlap bag drawings: pencil and charcoal drawing. installation: disco ball, 12' x 11' sod grass triangle. (Photo by Jill Grant)

"la/el/ellas/ellos/usted quinceañera/o," 2017 quinceañera dress: burlap and lace fabric. 15 burlap bag drawings: pencil and charcoal drawing. (Photo by Jill Grant)

"la/el/ellas/ellos/usted quinceañera/o," 2017 15 burlap bag drawings: pencil and charcoal drawing. (Photo by Jill Grant)

"la/el/ellas/ellos/usted quinceañera/o," 2017 quinceañera dress: burlap and lace fabric. (Photo by Jill Grant)

"la/el/ellas/ellos/usted quinceañera/o," 2017 quinceañera dress: burlap and lace fabric. (Photo by Jill Grant)

Amanda Nudelman

Amanda Nudelman and Janet Nudelman at Black Light opening, Wattis Institute (March 2017)

Barret Lybbert, Magdalena J. Härtelova, and Amanda Nudelman condition reporting for Rodney McMillian's red dust between (2017)

CCA Curatorial Practice Class of 2017: Megan Franz, Magdalena J. Härtelova, Qianjin Montoya, Amanda Nudelman, Barret Lybbert and advisor Julian Myers-Szupinska. Photo: Fa He.

Artist Indira Allegra performance, Black Light opening, Wattis Institute (March 2017). Photo: Fa He.

Elisabeth Ajtay (Photo credit: Eisuke Muroga)

"Penumbral States," installation view #02 2016 (Photo credit: Eisuke Muraga)

"moonABC" 2016 1min. 43sec.

"Babel," WC installation #9 2014/2015

"Ginnungagap/Yawning Void (Cycles)," 2008-2012 2 x 12 b/w photographs, archival inkjet prints 17.25″ x 17.25″ / 40 cm x 40 cm each

"Der Duft des Westens/The Scent of the West" 2007-10 C-prints, décollage, advertising slogans on paper 20cm x 20cm/8″ x 8″each

"Space kontinuum I-III" 2006 Photography 31.5cm/12.4″ x varying width

Whitney Lynn (Photo credit: Mikayla Whitmore)

"After the Fall" on exhibit at Bass & Reiner Gallery

"Anne Boleyn (after the Hever Castle portrait)" adhesive vinyl 55.5 x 68.75 inches, 2017

"Jezebel (after Celesti)" oil pastel and marker on paper 60 x 82 inches, 2016

From a suite of watercolor, gouache and ink drawings created in preparation for the exhibition After The Fall.

"Memorial Bouquet" backlit print, steel, automotive paint, LED lights, acrylic, rubber 60 x 36 inches, 2016

"A Matter of Perspective no.001" neon, glass tubing, metal skeleton frame 24 x 18 inches, 2016 Edition of 3

"Living History/Performing Death" performance, 2014-15

"Sandbag Fortified Pillbox Bunker" cushions, fabric 4 x 8 x 4 feet, 2007

Angella d'Avignon

Endless Summer 3, 2013 (photo by Stacy Keck)

Having a Coke with You, 2014 (photo by Chantal Wnuk)

Just a Little Bit Longer, 2014 (photo by Chantal Wnuk)

Mariel Bayona

Mariel Bayona Tonatiuh, 2015 Ink, Gouache & Watercolor on Paper 5ft x 3ft

Mariel Bayona XOCHITL, 2015 Ink, Gouache & Watercolor on Paper 20in x 26in

EL HÁBITO at Bass & Reiner Gallery, curated by Mariel Bayona.

EL HÁBITO at Bass & Reiner Gallery, featuring the work of Marcela Pardo Ariza and Lorena Zertuche Díaz

EL HÁBITO at Bass & Reiner Gallery, featuring the work of Marcela Pardo Ariza and Lorena Zertuche Díaz

EL HÁBITO at Bass & Reiner Gallery, featuring the work of Marcela Pardo Ariza and Lorena Zertuche Díaz

Luca Antonucci

Work from Luca's exhibition, The Custodian

Work from Luca's exhibition, The Custodian

Work from Luca's exhibition, The Custodian

2016 SF Art Book Fair at the Minnesota Street Project

Luca & David Kasprzak (Colpa Press partner) at 2015 Parking Lot Art Fair

The Perfect Copy (a Risograph print series with Todd Hido)

Newest Colpa Press risograph print series with Matthew Palladino.

Black light poster and installation at 2015 Parking Lot Art Fair with Courtney Johnson

Emily Reynolds & her brother before a Broncos game at Mile High Stadium. (Credit: Nando Alvarez-Perez)

"Infinity Cove" at Bass & Reiner Gallery

Kristine Eudey, Untitled (glass), 2016

Kristine Eudey, Untitled (marble), 2016

Leah Beeferman, Shores 3, 2016

Leah Beeferman, Shores 2, 2016

Into Thin Air by Jon Krakauer

Tamra Seal

"Halo" Acrylic, paint, secret ingredient, etched mirror

"Future Color" Acrylic, seabaoard

"Tubular" Inflatables

"Step into Christmas" an album by Gabriel Edwards

Art Bank - Sarah Tell

From the Sex Chairs Series

"A Brief History of Time: From the Big Bang to Black Holes" read by Gabriel Edwards

From the Na Young Woo Collaborations

Agne Christensen and her Room Art Gallery Team

Katherine Powers Noland

"Wayne Thiebaud / By Hand: Works on Paper from 1965-2015," University Galleries at USD

"Wayne Thiebaud / By Hand: Works on Paper from 1965-2015," University Galleries at USD

Katherine Powers Noland

Noe Olivas

"Low-rider wheelbarrow" low-rider bike parts, father’s wheelbarrow 26'' x 30'' x 70.5''

"Low-rider bike dolly" low-rider bike, dolly 30” x 4’ x 5’

Poetics of Labor, 2013

"Poetics of Labor," 2013 series of 2/3 Blue shop towels, rust, dirt, oil 12.5" x 13''

"Untitled, (10ft. mop)," 2015 custom mop 18" x 10'

Untitled Space

Horacio Ramos-Cerna

"Szyszlo. Retrospectiva," a 2011 exhibit at MALI (Museo de Arte de Lima), for which Ramos-Cerna did research for.

"Szyszlo. Retrospectiva," a retrospective of work by Fernando de Szyszlo, a Peruvian artist and key figure in advancing abstract art in Latin America

Current exhibition at MALI, for which Ramos-Cerna did research for. This exhibit displays the work of Emilio Rodriguez Larrain, an artist whose career made a key mark on visual arts scene in Peru in the 2nd half of the 20th century

Nando Alvarez-Perez

"Totems for a Flattened Now" at CEPA Gallery, Buffalo, NY

Emily Reynolds

Ivan Iannoli exhibition at Bass & Reiner Gallery

Ivan Iannoli exhibition at Bass & Reiner Gallery

Ivan Iannoli exhibition at Bass & Reiner Gallery

Ivan Iannoli exhibition at Bass & Reiner Gallery

Clea Massiani

"To Whom it May Concern" curated by Clea Massiani at Bass & Reiner

"To Whom it May Concern" curated by Clea Massiani at Bass & Reiner